. Yes, codec options are only limited if you change raster size to 1/4 or 1/16. DNxHD is definitely more CPU friendly on my laptop. Bit depth does not influence latitude, encoding colorspace does. I'm slowly getting really annoyed, that Vegas Pro still doesn't have DNxHR and DNxHD support, most on camera recorders output in ProRes and DNxHR today and Vegas Pro still not having support for it is a disgrace, I don't want to switch away from Vegas Pro, but always needing a second. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. fx3搭载ninja v录制的ProRes Raw对比内录最高码率有什么不一样？本期视频还有一个ProRes Raw的优点没有在视频中说明，就是使用fcpx剪辑的优势。可以流畅. Re: DNxHD as rec. Prores works better on a Mac. DaVinci Resolve 15 BETA Supported Formats and Codecs 2. ProRes 422. Media Composer support for ProRes does not require QuickTime. Similar to ProRes, DNxHD comes in different profiles. ProRes 444 is 12-bit. 3. And in the Adobe World, you'll always output using the full quality material. Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. 10-bit 4kp60 Apple ProRes or Avid DNx for extended recording For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. What Ed said. To smart render to/from QT AVC-Intra, install the QT AVC-Intra codec. mov)" or "Avid DNxHD 720p (*. Agreed with Pat on ProRes vs DNxHD - they're very similar. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. For each there is a standard and a. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. Finally, if you want a small file size and ease of editing, consider a lower-resolution ProRes or DNxHD file. Nothing wrong with it, just that the computer will have to work harder to decode H264 than if it was cineform/prores/dnxhd. Thank you! Pro Res is a codec, MXF is a container. Avid DNxHD is a codec developed by Avid, the makers of the popular Avid Media Composer software. This tool is intended to give an indication of the amount of space a given video format will take up on disk. ProRes on the Atomos Ninja V. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). 264 footage to lower quality proxy (DNxHR SQ/LB) either externally (ffmpeg) or inside Resolve (via Media Management Transcode - requires Resolve Studio). after setting blender to 1440 x 1080 fields bff and the bitrate to 110 000 fps 29. 3) Resolve works in 32 float bits, to avoid this kind of mess. DNxHD only supports the NTSC & PAL standards, so 29. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, lossless alpha channel up to 16 bits. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. AJRubenstein wrote: The problem occurs with every flavour of DNxHD, in every combination I can think of - even when varying the levels, etc. Quote. First, while you can AMA/Import the footage okay and edit okay; you can't export at all. Apple ProRes 4444 XQ and Apple ProRes 4444 are intended to support 4:4:4:4 RGB+AlphaProres is an intraframe codec, meaning each frame is encoded individually. Media Composer supports the creation of Apple ProRes media in OP-Atom, MXF OP1a, and MOV containers on both Mac and Windows. Guys I am thinking about moving over to media composer, my main objection to continuing to. Just as a quick tip the various versions of the DNxHD codec are listed by bitrate DNxHD 175 is 175mb/s similar to Prores 422. Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller. so my guess is to use the DNxHQ 8 bit codec in Premiere and just set the frame size to 1920x1080 and the frame rate to 29. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. Since the DSLR images start as H. Avid DNx. Location: 1146 North Las Palmas Ave. It's ~175M at HQ, and ~80M in LT. Avid is more for Broadcast quality, which blends interlaced fields and blurs them together, which, in turn gives a more “analog” feel to the green screen and motion (it. 3) Transcode 10-bit H. Video Space Calculator. Those codecs also support many features (RAW, HDR. Results can be emailed or copied to the clipboard. Conclusion When it comes to choosing between Apple ProRes vs Avid DNxHD, there is no clear-cut winner. ProRes is better. Video Codec: DNxHR/DNxHD. Author; Message; Steve DiMaggio. Currently I'm just using Resolve to process the conversion. Many formats can "wrap" several different codecs. Yes, ProRes 422 is vastly better than any H. . If you use ProRes 422, DNX145 is the same (except 422 supports 10 bit). Sat Apr 30, 2022 3:52 pm. I’d strongly disagree. H. I'm looking to fall back on MJPEG capture on ME, but I'm wondering what bitrate it captures at in comparison to something like ProRes or DNxHD? Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. At 5 minutes 31 second, IQ compared 4K vs 6. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. There are 2 versions of ProRes RAW, ProRes RAW and ProRes RAW HQ. Community guidelines. Shoot ProRes/DnxHD in "Film" (log) mode (like log mode on most popular cinema cameras) for projects that may benefit from a bit more DR at the "expense" of some additional required work in post. OK, I just did some testing. Fri Sep 20, 2013 5:17 pm. Show More. The calculator can be used with any type of media, including HD or SD footage, as well as. Just export a H. com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. • 5 yr. DNxHR HQX, DNxHR HQX MXF, DNxHR SQ, DNxHR SQ MXF, DNxHR LB, DNxHR LB MXF for 2K. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. Full list of. prores can be read an all platforms by most applications, but resolve on windows isn't able to write it. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. It's not a serious issue. BMCC log mode yields about a stop or so better DR than Rec. brycedouglass • 2 yr. This was met by industry professionals with a mixture of excitement and incredulity. Source: I just mastered my doc using DNxHD. 264 to DNxHD. This. 60/120fps) that don't play smoothly. In most cases, ProRes is a better choice than MPEG for. Report. ProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime DNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps H. Report. The only significant difference between the two for a proxy workflow is the fact that you may have trouble creating ProRes on a PC, while DNxHD is very easy to create cross-platform. I’ve tried switching colorspaces from 8 to 16 to 32 bit, but I can’t seem to get a consistent black on my outputs. Hi Rick, Thank you for the reply and the examples. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. 1 can decode the format supporting an alpha channel, but not encode it. Some claim to have noticed performance differences, but studies have shown that the quality and speed differences are negligible. That used to certainly be true, but nowadays both codecs work very smoothly on all modern editors (including Premiere Pro and Resolve). The only thing you can't do is render a new ProRes file. Translate. Reply. Typically I use the following codecs - h. Daniel2 is different. 1, MacOS 12. Posted August 12, 2020. If you’ve ever tried to edit H. cloud06 Posts: 52 Joined: Mon Feb 22, 2016 3:02 pm. Key Features. Neil. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Similar to Apple ProRes in terms of size and performance, DNxHD, also known as SMPTE VC-3, is Avid’s choice for an editing compression scheme. Let's say my original footage is H264. Side note: If you wanted to go with DNxHD instead of ProRes, you have similar options, except that DNxHD also offers an 8-bit version for the lower-end codecs. Any format (specially 10bit+) can preserve HDR data, it's just a matter of correct data mapping during export. Jello cam is greatly reduced, exposure latitude and exposure control is much better. 97 fps. . C. 6. Both ProRes and DNxHD are effectively “visually lossless” at their higher bitrates. ProRes and DNxHD/R are codecs. Ok thank you! MOV (DNxHD/DNxHR) - Popular use with Avid and Premiere MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere The GoPro HD3 black is much better in all regards than the previous models. At equivalent bitrates, the quality is similar but the decoding performance is much better. Thu Aug 14, 2014 6:57 pm. Any lens that wide that isn't $10,000 is g. I've never seen anything like that out of Media Composer. the UHD 10-bit 422 400Mbps ALL-I mode is likely to be roughly equivalent to UHD Prores 422 which is 471Mbps. This means, for light to medium grading with just one recompression step, XAVC S is perfectly fine. The target data rate of ProRes 4444 is approximately 330 Mbps for 4:4:4 sources at 1920 x 1080 and 29. For the best image quality, I recommend using ProRes RAW HQ. Avid Media Composer 6 and higher can also wrap ProRes in an MXF wrapper. The peer to peer support community for media production professionals. DNxHR 444. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. ProRes and DNx Target Data Rates. Reply. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. I create Apple ProRes 422 Proxies (all same settings except. Adobe Community. Either ProRes 422 or ProRes 422 HQ codecs are preferred however DNxHD is also acceptable. Reply. As a consequence, I've discovered that the Miraizon DNxHD and ProRes codecs for Windows only decode to 8-bit (and yet bizarrely. DNxHR uses the same bitrate levels (at 1080p) as DNxHD but because. Making proxies in Premiere – in this case the ProRes Medium preset creates a 720p file with the ProRes 422 Proxy codec. DNxHD. Since our footage is 8-bit to start. Tue Apr 11, 2023 8:02 pm. 976) In the case of 1920x1080 footage, using a frame rate of 24 fps or 23. 144. It all comes down to your OS, and whether you have to share the files with broadcasters (in which case I would use DNX as a lot of editors use Avid). I recently g. Some Company's have a deal with Apple, and so you can encode ProRes on a Windows Workstation. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. Avid DNxHDはアビッド・テクノロジーが開発する ノンリニア編集用コーデックの総称。 DNxHDは("Digital Nonlinear Extensible High Definition") の略。Avid Media Composer の編集時に比類なきパフォーマンスを発揮するように設計されている。 SMPTE （米国映画テレビ技術者協会）VC-3標準に適合した最初の. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. These offer varying levels of compression that result in different file sizes. DNx won't let you make pre-renders that are 10x1000 at 8 FPS, for example, but ProRes has no problems with that kind of thing. mov is just a wrapper, and the CODEC inside the wrapper dictates how it performs. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. 264 SDI 4:2:2 10-bit, H. One of the reasons that some cinematographers and colorists questioned the logic was that they saw ProRes as “old” and “inefficient” while. These formats are referred to as intraframe formats, not interframe formats. For client delivery or VFX, always ask what they want. If your on a PC, I would recommend using DNxHD. Studio for >=4k mj2 – – yes Kakadu. It is a fixed bit rate codec, with each variant having a locked multiplier based on resolution and. See full list on blog. Report. 264 to something else is probably a good thing. ProRes 4444: is an extremely high-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). Prores 422 HQ or DnxHR HQX 10-bit is decent too. DxHR is strictly CBR, so for any low complexity (like some flat CGI) source it will be as big as for grainy. Exporting out of one generation (camera originals) of H. Meaning that all frames are complete data-sets for that frame. With 1080p DNxHD Taskmanager says that I'm right around 34% CPU usage. And in the Adobe World, you'll always output using the full quality material. I am about to grade a feature, and was supposed to get prores 4444. 709 or RGB. L. In this video I compare the apple prores and DNxHD codecs on my Atomos Shogun recorder. July 31, 2013 at 5:16 pm. So we’ve scoured the Internet and brought them all into a single page. Video Space Calculator. Studio for >=4k/Dolby P3D65. This was met by industry professionals with a mixture of excitement and incredulity. I don't have access to a Windows PC capable of running Resolve, yet, so I have some questions:The two are very much equal to each other, but the differential is ProRes is designed by Apple so isn’t always supported in Windows programs, whereas DNx is more universal when it comes to computer OSs Both Resolve and Premiere support importing both codecs, but Resolve doesn’t support exporting ProRes on Windows machines. - Carsten. I generally hear of DNxHD, Cineform, and ProRes as the intermediate codecs to consider if creating mezzanine or intermediate formats for editing or color grading. Click OK. The target data rate of ProRes 4444 is approximately 330 Mbps for 4:4:4 sources at 1920 x 1080 and 29. I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. Ia setara Apple ProRes di Final Cut Pro. Cineform is still very new on the scene, and thus not a lot of tools know what to make of it. Common as an editing and. A quick test of the old (ProRes and DnxHR) vs new (H. Within these two main formats sits 3 sub-categories exist such as ProRes 4444XQ, which is the highest quality version of ProRes 4:4:4:4 - it includes an alpha channel for visual effects and can support up to 12-Bit RGB and a 16-Bit alpha channel, with a target data rate of 500 Mbps. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. Apple ProRes and AVID DNxHD provide the benefit of a complete video file contain with audio embedded. Incl. mov wrapper, which is going to be different from ProRes and DNxHD, as . 1 x HDMI and 1 x 3G-SDI Outputs. Alpha: Uncompressed. 97i (aka 29. Second, AMA/Importing ProRes at matched frame rate works great. Being well-versed in video codecs is essential for remote video editors to ensure optimal video quality, compatibility, and efficient file transfer. Same files work fine in CC 2017 both Media Encoder and Premiere. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. Remember, you'll switch to the main material for finishing. Indeed, I think we discussed some of the possibilities of why that may be happening. So you don’t need to worry about generation loss. A simple, straightforward comparison between all of the different codecs and file types available with the Atomos Ninja V, on the original Sony A7S. 1) Yes, there is the same shift, both on log or color managed images. Agreed with Pat on ProRes vs DNxHD - they're very similar. CINEMA DNG: 2400x1350 (after debayering) Bayer pattern data. ProRes – Apple ProRes allows a lot of flexibility when exporting your videos. Alpha: Uncompressed. Participant , Nov 13, 2012. Terence Curren of Burbank, CA based Alpha Dogs aptly pointed out a flaw in that I was comparing an 8-bit format to ProRes HQ and GoPro Cineform which are 10-bit formats. But should you find that you are low on storage space, then you have the option to use. ) OPinguimVoador. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. 2 or later for DNxHD/HR. Format. What I did was convert the same clips to both DNxHD and ProRes at around 145Mbps and then opened the task manager and watched the performance meter. BMD already acknowledges this as the proxy settings in. In premiere they show up just as soundfile and Media Encoder is black. ProRes 422 HQ: is a higher-data-rate version of Apple ProRes 422 that remains visual quality as same high as Apple ProRes 4444 but at. agent42b • 7 yr. [1] Much like the H. This means that the lower bitrate DNxHD/HR files might not have adequate bit depth for high quality deliveries. This is a subreddit dedicated to Atomos products. Upvote Translate. 94 and 480i50, only provides 8-bit color. In this video I show and discuss the differences between. 264 can deliver higher quality at lower bitrates because it uses long GOP encoding (among other tricks) which means you may need material from as far as 10 seconds away to reconstruct the image. Avid DNxHR, which stands for "Digital Nonlinear Extensible High Resolution", is a lossy UHDTV post-production codec engineered for multi-generation compositing with reduced storage and bandwidth requirements. Reply. One of the reasons that some cinematographers and colorists questioned the logic was that they saw ProRes as “old” and “inefficient” while. This codec is very useful as a final deliverable or even if you need to share a project. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. While internally the stored resolution for that setting is in truth 1440x1080, I’d bet that the codec. Output a self-contained ProRes file of your longplay screening cut. John Paines wrote:The difference is an artifact. 1. 0 or later in order to activate Avid DNxHD, Shogun and Ninja Assassin owners require AtomOS 6. Both ProRes and DNxHD are intermediate codecs, meaning they’re designed with editing in mind, they’re less. DaVinci Resolve 17. DNxHD uses i-frame encoding so every frame is. 264 SDR would result in a black frame. I will take my equipment outside and do some daylight shots and run the same tests that you did. 264, h. erroneousbosh Free • 7 mo. 168 he Avid DNxHR and Apple Prores codec families are designed to meet the needs of modern, streamlined post-production workflows. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. ProRes 422 LT. Official Prores and DNxHD are slightly more noisy compared to Cineform . The number was dependent on the level (such as Proxy), frame size and frame rate. So if you move by one frame, your NLE (and, yes, this is the same for all NLEs) needs to read one frame only from. Prores is much nicer to edit than h. There is no 8-bit ProRes. In terms of the GH5, it means that: the 1080p 10-bit 422 200Mbps ALL-I mode is likely to be roughly equivalent to 1080p Prores HQ which is 176Mbps. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. Apple ProRes. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. April 28, 2015 at 4:23 pm. Unless you guys are archiving on CD-ROMs or something. . 264: H. ProRes is an excellent codec for editing and finishing. ProRes is a compressed format, but one that aims to be “visually lossless”. audio). HQ/HQX is comparible in quality to ProRes and DNxHD/HR, so you will not loose any noticeable amount of quality (I always use HQX unless dealing with old standard definition footage. [1] ProRes系列编码器使用基于 离散余弦变换 (DCT)技术的压缩算法，类似于 H. Apple ProRes and AVID DNxHD provide the benefit of a complete video file contain with audio embedded. Click OK. 444 + small compression ratio difference. The BMCC's built-in LCD can be set to "Video" mode while recording "Film". As a control, I used Apple's Uncompressed 10-bit 4:2:2 codec. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. If its a feature, try to break it up into 20ish minute reels. 17, 18, 19, 20, 21, 22Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. Includes built-in support for Avid DNxHR ® and Avid DNxHD. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. You may be surprised to find out that YouTube will even accept high quality video formats like ProRes, DNxHD and uncompressed 10-bit HD video. The target data is 147 Mbps. If its a feature, try to break it up into 20ish minute reels. 99 or buy just the DNxHD part called DNxER Pro for $24. It’s important to note that each ProRes format supports all of the current frame sizes such as SD, HD. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome. - Is it ok to use a H264 file to edit - or will this impact the final export quality? What about H265? What audio settings would you suggest - Linear PCM or AAC - in this current export file, to then use to. 264 implimentations, they focus on low CPU. There is no way XAVC-I 100 produces better result than DNXHD 185. Optimized. 264 100 Mbps': In regard to DNxHD, as mentioned, it behaves nicely when it is set to 'RGB Levels' for 4:2:2 10 bit, whereas to '709' for 4:4:4 10. As an example, Avid DNxHD or DNxHR is free but has to be activated by the user. H264), the former generates large files than. These are some of the possibilities: 23. 264/H. I'm not saying that Adobe pays Apple the license so it can add native support to export in ProRes, but they could maintain support for plugins at least. Results can be emailed or copied to the clipboard. Video Codec: Apple ProRes 422 Proxy. The place for questions about shooting with Blackmagic Cameras. On the lower flavours Prores (and ProResLT, and ProRes Proxy) are 10bit but introduce more artifacting. AVC-Intra is a nice codec for delivery. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. ProRes also has the benefit of coming in two main formats; 4:4:4: and 4:2:2. Translate. 94, DNxHD220 is similar to ProResHQ. Choose a proper pixel format using the format filter. H. Report. The number was dependent on the level (such as Proxy), frame size and frame rate. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. Click the "Format" bar and move mouse cursor to "Editing Software" and select "Avid DNxHD 1080p (*. Understanding these codecs and their applications can enhance your. Activity › Forums › VEGAS Pro › Avid DNxHD vs ProRes for Vegas Editors. Each one has a few quality levels. Same files work fine in CC 2017 both Media Encoder and Premiere. Therefore, forget 422 and LT for 1080p work, unless you’re in a special case (see below). 14. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. You can select Apple ProRes when exporting as MOV or MXF OP1a. Video Output: RGB+Alpha. com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). MXF can hold pro res or a ton of other codecs. Hollywood, California 90038 USA. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). A codec is a specific schema for encoding video or audio data. Records in H. But on to the M3 MacBook Pro. Quote. ago. This was posted a while ago and I still think there's something seriously wrong with the DNxHD clips. Playback only of ProRes 4444 QuickTime up to 1080p60 with auto routing of fill and key over SDI A and B outputs. ProRes422 (HQ) 25 fps. It changed to DNxHR when greater-than-HD resolutions happened. Full list of codecs: * Animation * ARRIRAW * AVCHD LP * AVCHD SP * AVCHD. mp3. Apart from ProRes formats it also offers DNx. Therefore, you can absolutely master in the native format of your raw. See Avid DNxHD Notes for more information. Note that not all of these formats are actually supported with prores). (ex. So for example at 1080i59. Ensure your audio tracks are properly. VEGAS Pro. 26x and MPEG standards, the ProRes family of. Re: transcode vs optimize media UHD H. Most often I shoot ProRes HQ. Basically, I’m in the VFX stage on my short film and my colorist and VFX artist told me that ProRes4444 would be. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. Hi Rick, Thank you for the reply and the examples. I would just record ProRes HQ in the Ninja V. That means exactly what it says: you can’t tell the difference between your original video and the same material encoded to ProRes. Premiere’s default installation also includes other common workflow. Agreed with Pat on ProRes vs DNxHD - they're very similar. Meaning that all frames are complete data-sets for that frame. Next, click on the button “Format Options”. Bit depth influences the granularity, quantization. 264, which requires rather more CPU decoding. 0. Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. Let's say my original footage is H264. For example, if you are smart rendering to an MXF OP1a format, you must enable the smart rendering check box. Sun Dec 18, 2016 12:46 pm. Fixes an issue where exporting ProRes RAW to H. While some containers only tend to hold media in a particular codec, like the . Apple ProRes.